2011 – for Symphony Orchestra (9:00)

INSTRUMENTATION

2.2(+eh).2(+bc).2 / 4.2.2.1 / Timp. / 2 Perc. / Str.
Offstage Shofars (ram’s horns): any number [optional]


PERUSAL SCORE

Freylekhe Tanzen (Transposing Score)


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University of Michigan Symphony Orchestra; Matthew Dell, conductor


NOTES

Freylekhe Tanzen was composed between October and December 2011 in partial fulfillment of my MA in Composition at the University of Michigan. The work is heavily steeped in the liturgical and folk music of European Jewry, drawing on the iconic blasts of the shofar (ram’s horn) and Klezmer tunes from Romania, Bulgaria, Spain, and Russia. It also features melodic and rhythmic elements inspired by Karnatak music (the classical tradition of Southeast India).

The title, Freylekhe Tanzen, means “joyous dances” in Yiddish. The first half of the piece centers on a slow 3/4 dance style known as a Zhok, a cousin of the jig, and the second half of the piece focuses on a lively duple meter style known as a Freylekh, the cornerstone dance style of Klezmer literature before the mid-20th century.

Klezmer-Musicians


PERFORMANCES

March 2017
Michigan Theatre, Ann Arbor, MI
Ann Arbor Symphony Orchestra; Arie Lipsky, conductor

January 2015
Orchestra Hall, Minneapolis, MN
Minnesota Orchestra; Osmo Vänska, conductor

February 2012
Hill Auditorium, Ann Arbor, MI
University of Michigan Symphony Orchestra; Matthew Dell, conductor


HONORS

Selected for the 2013 (now 2015) Minnesota Orchestra Composer Institute

Honorable Mention: 2012 ASCAP Morton Gould Award

Finalist: 2012 Indianapolis Symphony Glick Competition


Copyright 2013-17 by Michael Schachter. michael.schachter [at] gmail.com